Free PDF The Crown Ain't Worth Much
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The Crown Ain't Worth Much
Free PDF The Crown Ain't Worth Much
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Review
"To pinpoint a highlight of the book is impossible. Every poem is honed, polished, and presented with utter rawness and defiance."―Portland Book Review"Willis-Abdurraqib possesses a striking gift for merging pop culture with personal narrative."―Publishers Weekly"THE CROWN AIN'T WORTH MUCH is not so much a book you read, but one you survive―with Willis-Abdurraqib's compassionate, elegiac lyric gently pushing you forward through heartbreak and violence."―Indiana Review"Willis-Abdurraqib writes an ode to living, to the making of and the rediscovering of the self, and of home."―Emmanuel Oppong-Yeboah, Winter Tangerine"The poems are raw: some passionate, some distant, some laden with fear. But as a collection, they create a life that's almost as arresting as it is moving."―Kelsey McKinney, Fusion"Hanif Willis-Abdurraqib's THE CROWN AIN'T WORTH MUCH leaves me contemplating the meanings of soul: communal soul (peep the breadth of cultural shout outs), rhythmic soul (peep the breadth of sound and syntax), and spiritual soul (peep the breadth of compassion). As titles like 'Ode to Drake, Ending with Blood in a Field' and 'At the House Party Where We Found Out Whitney Houston Was Dead' suggest, Willis-Abdurraqib bridges the bravado and bling of praise with the blood and tears of elegy. The soul of this magnificent book is dynamic, distinguished, and when called for, down and dirty. What a fresh, remarkable debut."―Terrance Hayes
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About the Author
Hanif Willis-Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. He is the editor of Again I Wait For This To Pull Apart, an anthology of poems relating to music, released by Freezeray Press in 2015. His poetry has been published in Muzzle, Vinyl, PEN American, and various other journals. His essays and music criticism have been published in The FADER, Pitchfork, and The New York Times, and he is currently a columnist at MTV News. He has been nominated for the pushcart prize, and his poem "Hestia" won the 2014 Capital University poetry prize. He is a Callaloo Creative Writ
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Product details
Paperback: 124 pages
Publisher: Button Poetry (July 19, 2016)
Language: English
ISBN-10: 1943735042
ISBN-13: 978-1943735044
Product Dimensions:
5.5 x 0.3 x 8.5 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
35 customer reviews
Amazon Best Sellers Rank:
#47,570 in Books (See Top 100 in Books)
SO GORGEOUS. I can't believe I'd never heard of Hanif before seeing him at a reading in March, and now I think he might be a new favorite/go-to (I'd actually gone to the reading primarily to see another favorite poet, Ocean Vuong.) I was so captivated by Hanif's reading (of new material, nothing that's in this collection), how utterly real everything felt, how finely wrought but subtle his manipulations of language were, that I just had to pick up his book. And it did NOT disappoint. Hanif's mastery of the prose poem is really something -- all the voices of his work speak so clearly, it feels like I am sitting in that barbershop, standing courtside and seeing these stories unfold, witnessing these lives and deaths. These poems are intense, dirty, and unforgettable, tackling sex, family, death, violence, music, literature...just about everything. I don't even know if I can pick a favorite -- the titular poem was an especially staggering read, but I don't think there was a single piece that I didn't love in some way. I literally hugged this to my chest after finishing it. I think I might become a Hanif-evangelist, recommending this far and wide. This book will have a special place on my shelf forever.
If Mary Oliver is the poet who channels the wildness of the natural world into images that are comprehensible to us mortals, then Hanif Willis-Abdurraqib is the poet who telescopes the Pop (Punk) landscape across streets and highways, in cars and at parties, in the barber's chair. He fixes his own joy and pain to songs and celebrities and ideas of family that we all share, shining a light on memories and nostalgia, revealing a depth and power that we knew were there, but couldn't fully see. These poems are gifts, helping us see the poetic in each of our engagements with music and film and television and life.Simultaneously, these same poems set out for all, the experience of being a young black man in America. I like to think that I think things like, "Oh, it must be crazy to be a black driver or a black kid or do anything, really, as a black person in this country." Like, that thinking that thought makes me a maybe "woke" white guy. Reading these poems made me realize there's so much I don't understand and I don't even know if understanding *that* lack of understanding is helpful. Yet, this work (this book of poetry) is so good and so open, it makes us return to the pain that is here, trying to find an answer.To paraphrase Rumi: Outside, beyond ideas of right-doing and wrong-doing, there is a club, they're playing Tribe. I will meet you there.
I settled into bed for the night with my fiance asleep, head on my chest, as I grabbed this collection off my pile of books on my bedside table and cracked it open for the first time. I wouldn't put it down for an hour."AT THE HOUSE PARTY WHERE WE FOUND OUT WHITNEY HOUSTON WAS DEAD," has stirred up more emotions than any poem I've encountered save , "The Gate," by Marie Howe. You know a poem is good, when you can cry over it through every reading, and just upon thinking about it. You know a poem is great when it moves you to tears, but you can't name why immediately, and a month later you're still sorting out just what this poem is trying to surface, and that work may take a while, but you know there will be life found in the uprooting.Hanif weaves pop culture effortlessly with the lived in city of Columbus, and his own family life, as if the three can be separated. Perhaps thats the beauty of this collection. It feels universal, contextual, and personal all at one, offering multiple entry points into any given poem.
I can't put words to the feeling of flipping through a book and seeing references to the music through which you've long understood the world and carved out your path through life and at the same time receiving brilliant new poems with which to do the same. If you want to feel understood, if you want to understand, if you want to see the dots of your experiences and other people's experiences and the soundtrack to all experiences connected so thoughtfully and masterfully that you'll wonder how you didn't see them before, buy this book. Buy this book, full stop.
Reading The Crown Ain't Worth Much is like eating a triple chocolate ganache cupcake or a really good specialty cheesecake that you thought you'd be able to finish all at once but you had to tap out for a bit because it's just. so. rich. but it calls you out of your sleep at 2am to finish it anyway.
Abdurraqib is a fearsome poet and essayist both. He can make you see, hear, and feel in powerful new ways; with Danez Smith he is a chronicler of out darkness and the broken and emptied bodies it's produced; he honors the power of love, memory, and music. An unforgettable collection--but it AND his essay collection, They Can't Kill Us Til They Kill Us.
This a book I have returned to many times for inspiration and comfort. It's a like a song the puts feelings into words. This is a good buy. Enjoy.
Easily the best book of contemporary poetry I've read in years.
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